There was an unexpected explosion of films in the 1990s that depicted the complexities of blackness. From Boyz n the Hood to Love Jones, Brown Sugar to South Central, principle movie studios saturated the market with projects designed to serve an oft-neglected niche. Despite our hopes that the Hollywood machine was recognizing the importance of highlighting Black American culture on the silver screen, once those movies were no longer profitable there was a swift decline in their releases. Stories detailing life and love for Black Americans were a lucrative fad for the movie business. It satiated the audience, lined the studio’s pocket, and was dismissed when it no longer fulfilled the bottom line.
With the successful releases of the historical[ly-inaccurate] biopic Lincoln and the controversial spaghetti-western Django Unchained, Hollywood is preparing to release seven more slavery-era films. These movies include the long-awaited, Twelve Years a Slave, which is based on the autobiography of Solomon Northrup; Something Whispered, starring Cuba Gooding Jr. as a slave seeking freedom for himself and his family in 1850; and Tula: The Revolt, which stars Danny Glover and details that 1795 slave revolt in Curacao.